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Even as far back as the s and s, it was clear that the source material contained great cinematic possibilities, but the Snow Queen character proved to be too problematic.
After the United States entered World War IIthe studio began to focus on making wartime propagandawhich caused development on the Disney—Goldwyn project to grind to a halt in All of Andersen's fairy tales were, instead, told in song and ballet in live-action, like the rest of the film.
It went on to receive six Academy Award nominations the following year. For us the breakthrough came when we tried to give really human qualities to the Snow Queen. When we decided to make the Snow Queen Elsa and our protagonist Anna sisters, that gave a way to relate to the characters in a way that conveyed what each was going through and that would relate for today's audiences.
This film has a lot of complicated characters and complicated relationships in it. There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her. There is snow and there is ice and there is a Queen, but other than that, we depart from it quite a bit. We do try to bring scope and the scale that you would expect but do it in a way that we can understand the characters and relate to them. Even before then, Harvey Fierstein pitched his version of the story to Disney's executives, but was turned down.
But the characters didn't resonate. Which is why John felt that audiences wouldn't really be able to connect with them.
At that stage, the first major breakthrough was the decision to rewrite the film's protagonistAnna who was based on the Gerda character from The Snow Queenas the younger sibling of Elsa, thereby effectively establishing a family dynamic between the characters. If you do[,] it will be great. If you don't, it will suck".
In the original, Elsa had been evil from the start, kidnapping Anna from her own wedding to intentionally freeze her heart and later descending upon the town with an army of snowmen. So that was when we really found the movie and who these characters were".
Because the minute it is [understood,] it deflated. No more than that. No less than that. At the story meeting where Ripa pitched his take on the story, Lasseter said, "I've never seen anything like that before", followed by a standing ovation. But that was close. In hindsight, piece of cake, but during, it was a big struggle.
Enchanted (film) - Wikipedia
Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward. I'm really proud of that. It has everything, but it's essentially about sisterhood. It's such a great relationship to have in movies, especially for young kids. Enchanted soundtrack The film's score was written by accomplished songwriter and composer Alan Menkenwho has worked on a number of Disney films previously.
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Fellow composer Stephen Schwartz wrote the lyrics for six songs, also composed by Menken. Menken became involved with the film in the early stages of the film's development and invited Schwartz to resume their collaboration. Schwartz found that it was easier to justify situations in which the characters would burst into songs in Enchanted than in other live-action musicals as its concept "allowed the characters to sing in a way that was completely integral to the plot of the story.
The first song played in the film, "True Love's Kiss", was written to be "a send-up of, and an homage to, the style of those Disney animated features", namely, "I'm Wishing" Snow White and the Seven Dwarfs and " A Dream is a Wish Your Heart Makes " Cinderelladuring which Disney heroines sing about the joy of being loved.
The title song, "Enchanted," a duet featuring Idina Menzel and James Marsdenwas the only song of Menken's and Schwartz's authorship and composition that was deleted from the movie. These shots involved virtual sets, environmental effects and CG characters that performed alongside real actors, namely the animated animals during the "Happy Working Song" sequence, Pip and the Narissa dragon during the live-action portions of the film.
CIS Hollywood was responsible for 36 visual effects shots, which primarily dealt with wire removals and composites. Reel FX Creative Studios did four visual effects shots involving the pop-up book page-turn transitions while Weta Digital did two. The real animals captured on film aided Tippett Studio in creating CG rats and pigeons, which gave dynamic performances such as having pigeons that carried brooms in their beaks and rats that scrubbed with toothbrushes.
On the other hand, all the cockroaches were CG characters.
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This meant the animators had to display Pip's emotions through performance as well as making him appear like a real chipmunk. The team at Tippett began the process of animating Pip by observing live chipmunks which were filmed in motion from "every conceivable angle", after which they created a photorealistic chipmunk through the use of 3D computer graphics software, Maya and Furrocious.
On some occasions, a small stuffed chipmunk with a wire armature on the inside was placed in the scene. In other situations, a rod with a small marker on the end or a laser pointer would be used to show the actors and cinematographer where Pip is.
Set pieces were made to move back and forth in addition to having a computer-controlled lighting setup and a repeatable head on the camera that were all synchronized. In the film's final sequence, in which Narissa climbs the Woolworth Building while clutching Robert in her claws, a greenscreen rig was built to hold Patrick Dempsey in order to film his face and movements.
The rig was a "puppeteering" approach that involved a robotic arm being controlled by three different floor effects artists. Merchandising[ edit ] Disney had originally planned to add Giselle to the Disney Princess line-up, as was shown at a Toy Fair where the Giselle doll was featured with packaging declaring her with Disney Princess status, but decided against it when they realized they would have to pay for lifelong rights to Amy Adams ' image.
Frozen ( film) - Wikipedia
Once Upon Andalasia, which is a prequel to the film, about Giselle and Pip rescuing Andalasia from a magic spell. A New Classic Comes True. The site's critical consensus reads: Positive reviews praised the film's take on a classic Disney story, its comedy and musical numbers as well as the performance of its lead actress, Amy Adams. Roger Ebert of Chicago Sun-Times gave the film three stars out of four, describing it as a "heart-winning musical comedy that skips lightly and sprightly from the lily pads of hope to the manhole covers of actuality" and one that "has a Disney willingness to allow fantasy into life".
LA Weekly described the film as "the sort of buoyant, all-ages entertainment that Hollywood has been laboring to revive in recent years most recently with Hairspray but hasn't managed to get right until now"  while Todd McCarthy of Variety commented, "More than Disney's strictly animated product, Enchanted, in the manner of the vast majority of Hollywood films made until the '60s, is a film aimed at the entire population — niches be damned.
It simply aims to please, without pandering, without vulgarity, without sops to pop-culture fads, and to pull this off today is no small feat. Michael Sragow of Baltimore Sun remarked that the film's "piquant idea and enough good jokes to overcome its uneven movie-making and uncertain tone",  while Claudia Puig of USA Today stated that "though it's a fairly predictable fish-out-of-water tale actually a princess-out-of-storybook sagathe casting is so perfect that it takes what could have been a ho-hum idea and renders it magical.
Reviewers praised her singing ability   and asserted that her performance, which was compared by some to her Academy Award -nominated performance in Junebughas made Adams a movie star, likening it to Mary Poppins ' effect on Julie Andrews ' career.